Features razor-sharp treble detailing on the hi-hats and cymbals, without the piercing fatigue found on earlier CD pressings. Stranger in My Own House
A concept album, its songs are meant to tell the story of a spy navigating life from both inside and out. While it initially received mixed reviews for being a step down from the harder rock of their previous masterpiece, 4 , time has been kind to it. The album became Foreigner's first and only number-one album in the UK and reached the top 5 in the US. It was certified triple Platinum in the US by the RIAA, cementing its commercial legacy.
For audiophiles, the "24192" designation (24-bit depth and 192kHz sampling rate) is the gold standard. Compared to standard CD quality (16-bit/44.1kHz), this high-resolution FLAC file provides: foreigner agent provocateur 2013 flac 24192 new
The mastering was handled by the legendary , who is known for his work with artists like Eagles, Norah Jones, and many others. This ensures that the remaster was done with expert care, avoiding the common pitfalls of "loudness war" compression and maintaining the integrity of the original recording.
The band’s signature power ballad, featuring backing vocals from the New Jersey Mass Choir. Features razor-sharp treble detailing on the hi-hats and
The album itself features a mix of hard rock, melodic hooks, and a dash of pop sensibilities. The band's signature sound, characterized by Lou Gramm's distinctive vocals and Mick Jones's guitar work, is still intact. Tracks like "Burning Up" and "Dirty Deeds" showcase the band's ability to craft infectious, guitar-driven rock anthems. Meanwhile, songs like "When I'm Lonely" and "Twist in My Story" demonstrate a more introspective, melodic side.
The 24/192 remaster captures the intricate synthesizer layers and the dynamic range of the New Jersey Mass Choir on "I Want to Know What Love Is" with much greater detail than previous editions. You can find this high-res version on platforms like HighResAudio . The album became Foreigner's first and only number-one
Provides a much higher dynamic range compared to the 16-bit of standard CDs. This means quieter passages are quieter, and louder passages are louder, with far less background noise.
: The 24-bit depth allows for more headroom, capturing the subtle nuances in Lou Gramm’s soaring vocals and Mick Jones’ melodic guitar layers.
A masterclass in synth-rock fusion. The 24/192 version separates the cascading synthesizer arpeggios from Lou Gramm’s melancholic vocals. The stereo separation is exceptionally wide; you can hear synthesizers bouncing cleanly between the left and right channels while the main vocal stays perfectly centered. "I Want to Know What Love Is"
For those unfamiliar, here is the album’s tracklist – all benefiting from the 2013 high-res treatment: